An on-site recording room built for solo artists, full bands, podcasts, and voiceover. Treated live room, treated control room, analog summing, deep mic locker, full backline. Half-day or full-day, drive-on access twenty minutes from Saskatoon.
Built for tracking, overdubs, and dialogue. Live room sized for full-band setups, control room sized for a small crew, isolation booth sized for vocals and voiceover.
Tall ceiling, hardwood floor, sloped absorbers on the rear wall. Holds a full five-piece comfortably with sightlines to the control room through the drum window.
Plenty of air for drum room mic techniques, natural room reverb tails, and overhead captures. Drop the lights, open the gobos, and let the room speak.
Bass traps in all four corners, broadband panels on side walls, slatted diffuser on the rear wall, isolated floor on risers. Tuned for tracking and dialog — not pretty graphs.
The room is ready. Mic locker, summing, monitoring, and backline are tuned and patched — bring the laptop, the demos, and the references.
Every session is customised to the project — these three scenarios are the ones we see most weeks.
Vocal chain on the U87 through the 1073 and LA-2A. DI acoustic guitar option, or pair Royer ribbons on the acoustic. Cue mix in cans.
U87, 1073, LA-2A, Royer R-121 pair
Multitrack WAVs + rough stereo bounce. Stems ready for remote mix.
Drum kit in the live room, amps on iso closets, bass DI plus re-amp, scratch vocals. Headphone cue split so the band hears a click + scratch mix.
Full Audient summing, drum mic locker, U87 + 414s on amps
Full multitracks, rough bounce, and a take-log for comping passes back home.
Two SM7Bs on the table (or one SM7B for VO), closed-back cans for the host, optional phone/Zoom feed for remote guests. Treated booth, dead quiet room.
SM7B chain into Distressor + 1176, dedicated cue mix
Edit-ready edit tracks per episode / VO take, plus a stitched stereo master if you want.
Half-day for fast-tracking sessions and podcast shoots. Full-day for full-band tracking and extended voiceover. Engineer not included — house engineer support is quoted separately on request.
Send us dates, headcount, and any gear requests. We'll reply within 24 hours to confirm availability, walk you through load-in, and lock the session.
If your question isn't here, send it through the inquiry form or email Dave directly — we usually reply within a day.
Drive-on access to the studio door — no stairs, no carts across gravel. Drive up, unload, park in the dedicated lot 20 feet from the room. Big-band and full-band drum kit loads are simple.
Yes — bring whoever you trust. The room is yours and the desk is open; signal flow and patchbay notes go out before the session. House engineer support is available if you want a backup or for parts you want a different pair of ears on (quoted separately).
Multitrack WAVs at 24-bit / 48kHz, plus a rough stereo mix bounce if you want one for reference. Higher sample rates (88.2 / 96kHz) are available on request. Files are backed up on-site and on cloud for 12 months.
Yes — full-day sessions in particular tend to merge with overnight stays. The bunkhouse sleeps six; longer or larger-team projects fold in the Pavilion. Mention headcount and dates in the inquiry and we'll quote a session-plus-stay package.
Absolutely. We have most of the common mic locker, outboard, and instrument requests covered out of the gate, but if there's something specific you want — a particular mic, a unique preamp, a specific guitar — list it in the project description and we'll confirm or plan around it.
More than 14 days out: full credit toward a reschedule. 7–14 days out: 50% credit. Less than 7 days: non-refundable. Weather, illness, and emergencies are handled case-by-case — get in touch and we'll work it out.