Recording studio access, producer mentorship, mixing and mastering, plus the accommodation bundle so the team stays on-site. Built for artists finishing records, EPs, and album projects who want a producer in the room.
Every tier ships with the full production package. The difference is how many songs you're tracking, how long the team stays, and how deep the producer engagement runs.
Full access to the control room, live room, and vocal booth for the duration of your project. Mics, outboard, monitoring, and the mixing desk are tuned and ready — patch in and go.
Dave is in the room. Arrangement feedback, take-direction, mix references, and listener-perspective notes through every stage. Tap into two decades of prairie and city studio work.
Bundled mix and master on every tier. Stems handed back at the end of the session — radio-ready mixes plus the multitracks so you can revisit later if a record needs a refresh.
On-site lodging for the entire production team. The bunkhouse sleeps six; longer projects fold in the Pavilion. No commute between sessions — you're already in the room.
Mics, cables, instruments, amps, and outboard. Bring the laptop, the demos, and the references — leave the cargo at home.
Final mixes and masters delivered as WAV and MP3, plus full multitrack stems. Backed up on-site and on cloud for at least 12 months. You can pull files any time.
Every tier locks in one schedule. Here's what a 3-song EP project looks like — the album tier stretches the same bones across more days.
Team arrives after lunch. Walk the studio, settle into the bunkhouse, sit down with Dave for arrangement and reference-list review. By evening you're patched in, scratch vocals are down, and the first takes are ready to overdub.
The core production day. Long studio block focused on full-band tracking where it fits the project, overdubs for parts that need isolation, and producer-side direction in the room. Three meals, an evening recap, and a plan for Day 3.
Morning mix and rough-master pass in the room with the artist. References checked, files backed up on-site and on cloud, and a clean delivery of stems and masters. The team checks out by 4 PM.
Every package ships with studio access, producer mentorship, mixing and mastering, lodging, and equipment. The difference is scope — pick the tier that matches the record.
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We'll review your project and reach out within 24 hours to discuss scope, tier fit, and dates. No deposit required at this stage.
If your question isn't here, send it through the inquiry form or email Dave directly — we usually reply within a day.
The room ships with a full mic locker (large-diaphragm condensers, dynamics, ribbons), an analog summing mixer, a quality monitor rig, and a deep plugin suite. There's a drum kit, multiple guitars and amps, a piano, a synth rack, and DI stations for whatever you bring. If you have something specific you want, list it in the inquiry and we'll confirm it's in the room or plan around it.
Dave is in the room with you across the project — arrangement notes, take-direction, mix references, and listener-perspective feedback. It's not a fly-on-the-wall engineering gig and it's not a co-writing arrangement unless you want it. You bring the songs and the vision; Dave keeps the room pointed at the record you're trying to make.
Yes — bring whoever you trust. Just mention it in the project description so we can plan the room setup and integrate the workflow. House engineer support is also available if you want a backup or for parts you want a different pair of ears on.
For Single and EP tiers, the mix and master happen in the room during the project — you walk out with the files. For Album tier, rough mixes are delivered in-session and the final masters land within 2 weeks of the final tracking day. Revisions are bundled into the tier scope; out-of-scope revisions are quoted separately.
Radio-ready mixes as 24-bit / 44.1kHz WAV and 320kbps MP3. Masters as 24-bit WAV and MP3 (with the option of higher sample rates for vinyl or hi-res streaming). Full multitrack stems are bundled in too, so you can revisit the record anytime without us.
Absolutely — many projects blend a production tier with extra residency days for rehearsal, or with the stays tier for out-of-town team lodging. Tell us the headcount and dates in the inquiry and we'll quote a combined package that's tighter than booking them separately.